![]() Her sense of humor, unapologetic quirkiness and modern views paved the way for many journalists to come. Doppie Pagine di Anna Piaggi,” which took its name from the double-page layout of fashion spreads and eventually led to a book, “Anna Piaggi’s Fashion Algebra.” In 1988, she began writing her cult Vogue column “D.P. In the Seventies, Piaggi moved on to Vogue, where she worked with photographers such as Chris von Wangenheim and Gian Paolo Barbieri. She was very intelligent, a perfectionist and had a deep knowledge of fashion.” She was a unique journalist people recognized her, and she was always surrounded by photographers. She was the queen of accessories.” Piaggi was “very ironic, she made fun of herself - but did not allow others to make fun of her. “Anna told me that, even when she was five or six, dressing up was part of her games, she really enjoyed that and she always very rigorous about it, thinking of thousands of details. Missoni said Piaggi had always been very eccentric. The designer recalled how, even during their holidays in Dalmatia, “when a swimsuit and a pareo would be more than enough, she would create these looks, and my kids would play along, make light for her in the pitch dark, so that she could parade her outfits.…She always needed her stage.” “She came and discovered us when we were working for La Rinascente, and we became good friends, lifelong friends, more than 50 years together, often traveling and vacationing together.” “I am more than pained,” said Rosita Missoni of Piaggi’s death. It was during her tenure at Arianna that Piaggi noticed the then-fledgling brand Missoni and featured it on a 1967 cover of the magazine. In 1962, she married photographer Alfa Castaldi, already an established figure in Milan, and the two remained together until his death in 1995. Piaggi began her career as a translator at the Mondadori publishing house, before becoming fashion director of the Italian magazine Arianna in the Sixties. I love the atmosphere, the clothes.…I never think of money, just style and power.” It’s the theory of queenship that I dream of. “If I could be something else, I would like to be a new type of queen. My favorite thing as a young girl was to read Photoplay and Movieland. I have always made decisions by instinct and for the feeling, not by analyzed thought. “I never think too much or make statements. “My nature has always been to be superficial,” she recalled. “I have dresses that should be in museums that only cost me $50.” “I must say it is more economical to dress from the antique auction houses than Paris couturiers,” she noted. Vintage pieces always played an important role. And what is to be avoided at all costs is the twinset look, the total look.” There’s a little bit of study, and it’s always better if I think about what I’m going to wear the night before the next day. I never pick up something and just throw it on my back like that. My philosophy of fashion is humor, jokes and games. “To me, fashion is a trance,” Piaggi told WWD in 1978. The world is a little less colorful without her.” “She was a visionary with a heart of gold. “I am truly saddened by the passing of Anna Piaggi,” said Donatella Versace. She was very intelligent, a perfectionist and had a deep knowledge of fashion.Kendall Jenner Celebrates 818 Day in Yellow Minidress in Santa Monica She was a unique journalist people recognised her, and she was always surrounded by photographers. Missoni co-founder Rosita Missoni, who was "more than pained" at the sad news, described the fashion icon as "very ironic, she made fun of herself - but did not allow others to make fun of her. ![]() ![]() "Her assured collaborations with fashion photographers, designers and illustrators produced visually arresting commentaries, which graced the pages of fashion's most influential magazines." "Anna Piaggi's prolific career encompassed an exhilarating blend of the roles of journalist, editor and leading figure of style," added V&A 20th Century and contemporary fashion curator Sonnet Stanfill. Her misremembering was the most accurate account of fashion I have ever heard." While working so closely with her for the V&A show, she taught me that clothes have nothing to do with dates - only allusions, endlessly re-designed by their wearers and redescribed during each outing. "I have looked at these a thousand times as the best text book of all. "Anna Piaggi's Doppie Pagines, were always to me like fabulous 2-D exhibitions," she told us. The display was accompanied by a guide written by fashion curator Judith Clark, who was quick to offer her tribute. ![]() In 2006, London's Victoria and Albert museum hosted an exhibition dedicated to Piaggi's inimitable style and legacy - entitled Anna Piaggi: Fashion-ology. The world is a little less colourful without her." "She was a visionary with a heart of gold. "I am truly saddened by the passing of Anna Piaggi," said Donatella Versace. ![]()
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